Everywhere there is beauty and everywhere a story to be told

Friday, March 8, 2013

And Then There Were Two

This girl is only seven inches tall. I'm thinking she needs some companions,  and some sort of London street scene, or magical forest to be walking through.
I want this piece to tell a story about aspirations, courage, and perseverance.  I'm using children to tell the story, but it's a story and a message that applies to all people of all ages. This girl in the foreground will embody the hopes, dreams and imaginings that we all feel deep down inside.
When I saw these dancers milling around in the lobby at Kroger, I was attracted to their costumes and all the beautiful colors and fabrics flowing around together. But when I got home and looked at the pictures more closely, it was the expressions on their faces that had me mesmerized. The differences among them seemed the perfect reflection of the differences among people in all walks and stages of life. Some of them seemed very intent on making sure they looked good. Others were absentmindly going through their dance steps. Several were gathered in little clusters, chatting happily, and looking at their phones. Only this girl had her eyes focused on the instructor... standing in her assigned spot... poised and somewhat apprehensive. She had an air of purpose about her, and an unmistakable pride that was not arrogant or self-serving. But she also had a look of doubt, as though she was not sure of what would happen next.
So far, I've tried to convey those feelings in subtle ways. By drawing her shoe untied, with the ribbons trailing and not tucked in properly, it reveals her naivity and suggests that she still makes mistakes. She is not an accomplished ballerina, perfectly polished and precise. She is not even the best among her troupe.  But she is the one with her eyes focused on a distant point while the others are absorbed in more trivial things.
The shabby clothing is symbolic of the hardships that people face. Whether real hardships or perceived hardships, we all have challenges that daunt us, and we can either summon our courage and conviction to overcome them, or we can succumb to those  hardships and let them hold us back from what we want to do.
The second girl is ready to be rendered in color now, and I plan to use more browns, olives, golds, and darker purples for her clothing. I'm still trying to figure out how to dull and darken her skintones without making them look muddy, so that she doesn't stand out as much as the first girl. I have a feeling that's going to be a struggle for me, as I tend to make everything too bright and cheery looking.  However, I thought the other girls' skin tones could reflect the drab olives and purples from the background, while our main character glows in the foreground?

20 comments:

  1. Hi Katherine!

    Your little girls are so lovely!
    What a big challenge you have put to yourself!
    Unfortunately I don't know how to answer your question about the skin tone, because I paint more landscapes and flowers. I love drawing the human body, but in this case I use graffiti or charcoal.
    Have a Nice Weekend!

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  2. No advice. I just want to let you know that I love the first girl - especially the expression on her face.

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  3. I feel like I am going to read a lovely novel, chapter by chapter, the challenge you have taken on yourself is fantastic, the way to go, to grow, I am loving the way the message is shaping up by the nuances of this work, the first girl emerged with victory, I am sure her followers will do too.

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  4. Brava Katherine,non so darti dei consigli,ma mi sembra che procede bene.
    Buon Week End

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  5. Off to a great start on your marathon Katherine ... the little girl is beautiful. Not sure if you have toned the paper or if the camera has created the shadows but I love the effect?

    Do you use BluTack (or the equivalent product) with your graphite/coloured pencils drawings? I often lift some of the skintone colour off which tones them down a little - it might help create the distance you're seeking

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  6. Boy, I'd sure be an idiot to try to give a colored pencil master any advice! Another colored pencil master is Leslie Hawes...maybe she would have ideas. Anyway, somehow you didn't need to tell me these things about this piece...somehow I could already pick up the same thoughts just from your planning piece in an earlier post. Maybe this was why I had hoped you would go with the tattered clothes. This is going to be so darned beautiful!!

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  7. This is already looking good and I know you'll have a complete colored pencil work in a few months. I'm not sure about the old buildings and cobblestones - if they are needed to convey your message. Put the girls in and then see if you need anything more than muted color around them. Their body positions and facial expressions, along with not-perfect clothing, tell the story.

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  8. Wow Katherine...she is so so sweet and delicate and pretty. I can't wait to see this progress as you work. What kind of pencils do you use? I am amazed at your skill with colored pencils!

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  9. this is AMAZING so far, Katherine...its going to be such a beautiful and unique piece. purple tones is what I would use with pastel pencils but with colored pencils it might be different ??!! I can't wait for your next post..

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  10. Hello Katherine, I do not know why, but after reading your post, I have the distinct feeling that this will be the most beautiful work you will have painted so far. Just wait and see. Have a good Sunday. Ciao.

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  11. I always love the great amount of thought and storytelling that go into your pieces Katherine. :) This is looking so beautiful already. :))

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  12. You may have felt like you weren't perceived as a person when you taught, but I'm sure you were an amazing teacher based on the great way you have to share your thoughts with us and the great inspiration you share. I love the concept and how you have started this piece.

    Regarding face colors, don't think of them as faces and study the colors you see of people in shadows. There really are a lot of other colors there and people will fill in fleshtone in their mind even if you have purples and olive colors in there. Our skin reflects the color of our surroundings so using many of the colors you plan for the background will definitely work.

    I'm so anxious to see this done, even if it will be a marathon.

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  13. Hey K!

    This is going to be another amazing piece. The details...the details!

    Facial expressions reveal so much. I love that you will tell this story with a focus on the facial expressions and symbolism in the details.

    Thanks for taking us on along on your creative journey.

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  14. This is a great project and a great idea! You'll get it. Everything seems so clear in your head.

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  15. Katherine, your work is always outstanding, and you caught perfectly the look you wanted to describe on the face of the girl. and in her posture....amazing, bravo !

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  16. Dear Katherine - this looks so good - full of promise. You always put so much thought into your work and it certainly shows. Take care.

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  17. Que hermosa expresión de inocencia has conseguido en este trabajo, un dibujo precioso, un color suave y delicado. Estoy ansioso de verlo terminado mi querida amiga.
    Saludo afectuoso.

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  18. Your ballerina looks terrific! I hope the other skin tones don't give you too much trouble. I can't wait to see the finished picture!

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  19. It amazes me what coloured pencils can achieve in the right hands and you have the right hands, lovely ballerina. I have yet to try coloured pencils but looking at your work certainly make me want to. I have only scratched the surface of your blog with more time I will begin at the start.

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